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Still, this is a big pop single as opposed to alt-rock or metal. Ultimately, it plays better in the context of the album compared to its run as a single. Promo single ✓ “Heavy”, featuring up-and-coming artist Kiiara, arrives as the sixth track on One More Light. If you felt invisible, I won’t let you feel that now.” While “Invisible” doesn’t come off as the most memorable song of 2017, it does feature a catchy chorus: “I was not mad at you Another is to listen with mouth agape at the fact that THE Linkin Park are both giving parenting advice and reflecting on parenting regret. One is to give them credit for tackling this topic and showcasing maturity. “Invisible” features intriguing subject matter that hasn’t been associated with Linkin Park in the past – parenting! There are a lot of angles to look at “Invisible” from. It’s not a disaster by any means, though. On the verses, Bennington reflects on his deficiencies: “Blood on the floorīy the chorus, he’s determined he’ll overcome everything that’s holding him back – “…Just don’t give up on me.” As a song, it’s okay, but arguably still suffers from being too happy and uncharacteristic of the band. “Battle Symphony” is about showing incredible resolve, despite adversity. Does Bennington say much throughout his self-conversation? No, he doesn’t reveal much, nor is “Talking to Myself” feel or sound ‘brand new.’ Still, “Talking to Myself” does have a dash of rock, specifically on the chorus. Rotem is among the names gracing writing/production team. “Talking to Myself” once more has pop elements – J.R. Stormzy handles rhyming duties on the third verse. Pusha T takes the second verse, delivering fire as always. Given the appearance of rappers, “Good Goodbye” embraces a more hip-hop oriented sound, contrasting the opener. First, following the chorus delivered by Bennington, Mike Shinoda steps to the mic, making his first appearance of the album.
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✓ “Good Goodbye” brings Stormzy and Pusha T into the mix. Why? Because “nobody can save me now.” Oh boy. From the start, it’s clear Chester Bennington needs a fix, and he is the only proponent of such a fix. Also, it showcases the newfound maturity from Linkin Park. To its credit, the opener has a catchy chorus. “Nobody Can Save Me” establishes the pop-oriented tone of the album from the onset. Yes, Linkin Park has grown up – “for better or for worse.” So, what is the modus operandi on One More Light? Maturity, reflection, empowerment – grown-folk/adult matters. Taking that a step further, they don’t look to rock nearly as much as any of their past work. Returning with their seventh studio album, One More Light, clearly, Chester Bennington, Mike Shinoda, and company aren’t trying to rock as much as they did on The Hunting Party (2014). Linkin Park returns with its seventh studio album, ‘ One More Light.’ Unfortunately, fans wanting more bite will get more pop instead.